Anibal Troilo

Aníbal Troilo, widely known as Pichuco – July 14th, 1914 - May 19th, 1975

was a renowned Argentine bandoneonist, composer, and orchestra director. He is celebrated as one of the greatest bandoneon performers, known for his refined, authentic, and unpretentious style, making Troilo himself one of the most emblematic and beloved figures of Argentine tango.

Born in Buenos Aires, Troilo grew up in the working-class neighborhood of Almagro, where he first fell in love with the sound of the bandoneon. His passion for the instrument led him to start playing at a young age, and he eventually formed his own orchestra in 1937. Throughout his career, Troilo performed at various venues, including theaters, local clubs, and even made international trips to countries like Uruguay, the United States, and Spain.

Troilo's orchestra was known for its exceptional musicians, including legendary figures such as Orlando Goñi, José Basso, Alfredo Gobbi, and Astor Piazzolla. The quality of the singers who performed with the orchestra was also outstanding, contributing to its unique and enchanting sound.

His orchestra featured exceptional singers like Alberto Marino, Floreal Ruiz, Raúl Berón, Edmundo Rivero, and Francisco Fiorentino, the latter perhaps contributing to the orchestra's most representative sound.

As a bandoneonist, Troilo was considered a pioneer, creating a style that was pure, emotionally rich, and magical. His compositions were melodic and fresh, often collaborating with renowned poets like Enrique Cadícamo, José María Contursi, Homero Expósito, and Cátulo Castillo.

Parallel to his work with the orchestra, Troilo had a special collaboration with guitarist Roberto Grela, which resulted in some of his finest bandoneon performances. Their recordings became classics and remain an important reference for tango lovers and musicians alike.

Aníbal Troilo's legacy in tango is immeasurable, and his influence on the genre continues to inspire musicians and audiences worldwide. He dedicated his life to tango, leaving behind a rich repertoire of masterpieces, including "La última curda," "Desencuentro," "Toda mi vida," "Pa' que bailen los muchachos," "Sur," and many more. As a director and composer, he played a pivotal role in shaping the evolution of tango music, leaving an indelible mark on its history.

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